Perhaps one of the most interesting parts of this book is the introduction by John Matteson. He spends quite a bit of time explaining how Little Women became the classic that it is today. Much emphasis is given to the time period, and the fact that Alcott's father raised his daughters to be enlightened thinkers, a rarity for the time. Matteson's forward also sheds light on how much the members of the March family were modeled after the Alcotts. Filled with fascinating stories about Louisa May Alcott, this annotated version is for true Little Women fans.
Need a good book? Check out what the staff of the West Allis Public Library in West Allis, Wisconsin is reading!
Showing posts with label Classics. Show all posts
Showing posts with label Classics. Show all posts
Friday, April 1, 2016
The Annotated Little Women by Louisa May Alcott, Edited by John Matteson
Perhaps one of the most interesting parts of this book is the introduction by John Matteson. He spends quite a bit of time explaining how Little Women became the classic that it is today. Much emphasis is given to the time period, and the fact that Alcott's father raised his daughters to be enlightened thinkers, a rarity for the time. Matteson's forward also sheds light on how much the members of the March family were modeled after the Alcotts. Filled with fascinating stories about Louisa May Alcott, this annotated version is for true Little Women fans.
Labels:
Classics,
Concord,
edited work,
fiction,
Little Women,
March Family,
New England,
Sisters
Friday, December 5, 2014
Texts From Jane Eyre by Mallory Ortberg
This reviewer isn’t even
sure where to begin with this book.
Imagine your favorite classic authors and famous book characters had
access to cell phones. Add in some goofy
modern day language and text-speak and you have Texts From Jane Eyre by Mallory Ortberg. The result is a book that will have you
snorting and LOLing from the very first page.
Here is an example in the form of a short exchange between Jo and Meg
from Little Women:
"MEG
MEG
MEG WHAT’S ALL THIS
WHATS ALL THIS I’M
HEARING
ABOUT YOUR GETTING MARRIED
tell me it’s a wretched
lie
Jo I don’t know how many
more times
we have to have this conversation
I’ll have it a THOUSAND
TIMES if I must
But yes
I’m still marrying John
tomorrow
OH GREAT TRIPLE-HORNED
GOD
Just like I was planning
to yesterday
This is unbearable
And also last month
Answer me this, then
Who exactly do you think
is going to play Mercy when
we put on my version of The Pilgrim’s Progress this
summer?
I wrote that part for YOU
Wrote it beautifully in
fact
I don’t know darling
She gets a cracking scene
with the villain Rodrigo where
he tries to poison her and she screams and
faints and everything
I don’t remember anyone
named Rodrigo
in The Pilgrim’s Progress
THAT’S NEITHER HERE NOR
THERE MEG
I’m very sorry
This production will be
ruined
Why don’t you ask Amy?
I’m not even going to
dignify that with a response"
[end scene]
Ortberg takes you through
the text convos of such classics as Rebecca,
Hamlet, Les Miserables, Great Expectations and many more. You’ll even get to see what Edgar Allen Poe
was thinking while he wrote The Raven!
In all seriousness, this
book is absolutely delightful and with the holiday season fast approaching,
would make a wonderful gift for any classic literature lovers in your
life.
Check out a copy of Texts From Jane Eyre from the library today!
Check out a copy of Texts From Jane Eyre from the library today!
Labels:
books about books,
Classics,
Humor,
literary fiction,
Pride and Prejudice,
texting
Tuesday, April 1, 2014
So Long, See You Tomorrow by William Maxwell
An older book and a well-written classic, So Long, See You Tomorrow by William Maxwell paints a picture of life in the Midwest in
the 1920s. It is the story of two thirteen-year old boys who become friends
when each is drawn to spend time at a home-construction site after school. Each
boy is experiencing upheaval in his life and seeks a release from family
distress at the half-built home. The
house is to be the home of the story’s narrator, a middle-class town boy. He had lost his mother to the flu epidemic of
1919. His father, after remarrying, wanted a new home for his new wife and so
contracts for the building of the new house. The other boy, Cletus, is the son
of a tenant farmer. He spends time at the house to escape the palpable tension
between his mother and father. Every afternoon the boys meet and climb on the
frame of the house. They become friends although they scarcely exchange a word.
Then Cletus’s world is destroyed by a murder and he disappears from the
narrator’s life. The power of this book lies in the author’s ability to create
a sympathetic inner life for each of his characters. Although the book is
peopled with stoic, taciturn Midwesterners, the reader is easily able to
empathize with everyone in this book as they deal with pain, confusion and
loss, even the family dog.
Check out So Long, See You Tomorrow @ the library!
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